Review by Nadia Rankin the first young writer to join our mentoring program.
Upon seeing these two performances I have learned an important fact of life. I learned that first impressions are often wrong. For example when the sweet faced Tegan Higginbotham entered the stage, I prepared myself for family laughter and mean girls references. But I was soon to discover that I was in fact being told the blood curdling and somewhat disturbing tale of the time Ms. Higginbotham herself decided it might be fun if she attempted pro boxing.
And my first impression when I saw Emily Taylor, the kind faced young woman with a slightly droopy right eye, was that I would be experiencing the generic ‘Woman at front of the stage, talking.’ Stand up, but was faced with an eerie, yet extremely theatrical monologue, in which I was introduced to six slightly insane humans (and a creepy cabbage patch doll) all of which seemed to morph from the one woman’s body.
The Punch Line
So I will begin with ‘Million Dollar Tegan’. I must admit I was amazed by Tegan’s contrasting personality. She had a young, sugary feel to the way she told her story, letting out girlish giggles here and there. Yet she was highly aggressive, she had stunning energy and a warm enthusiastic vibe. She had a beautiful connection to the audience, responding to their comments and treating them as she would a close relative. Not only this, it also looked as though she was enjoying herself and felt more than comfortable talking up on stage about being beaten up by her friend and ex-model ‘Megan’ . I have no idea how she did it, but she almost made her horror story seem fun… her little narrative provided crystal clear imagery the whole way through and the intimate way she described everything made me and hopefully the entire audience feel as though the people that guided her through her phase were close friends of ours. Her performance include a variety of styles, ranging from feminine, gentle techniques pulling the heart strings of the audience at the same time as calling her mother a whore for not packing her Tiny Teddies in her lunch box and describing the ‘arse’ like smell of boxing gloves.
Her performance was very relatable however and she was far too lady-like for being the Dandenong girl she labelled herself as.
Something To Crow About
I almost jumped in my seat when I heard the four year olds voice surfacing from the lips of the woman my first impression had told me would be telling tales and punch lines all night. And I was surprised when the little girl transformed into a cool, masculine business man, with a passion for zodiacs. And by the time Ms. Taylor was acting out ‘Miles’ the soulless window cleaner, with hereditary depression and a sad past, I could no longer see the woman on the stage, but six crazy people with psychological difficulties and a dark laundry. She had graceful alternations between characters and a flowing interaction between their conversations, so smooth I could see two people at once. Her performance was complemented by creative lighting and sound effects. The audience watched with jaw hanging fascination. I am not sure you can call this cynical monologue a comedy, but certainly a fine piece of theatre and a captivating outlook on life. There was 100% concentration on her behalf and 100% attention was given from the audience. The dark ending fitted all too well. She honestly believed every word from every personality she acted of her over-the-top sufferers of neurosis, in her Tracey Ullman sketch style.
These performances were nearly opposites, making it interesting being put one after the other. Tegan showed herself to be very natural in character as though her show had never been performed, but rather she was telling a friend while getting her hair braided at the salon. And Emily’s approach was not herself, but perhaps demonstrating the psycho within us all.
Both used effective techniques and their words rolled off their tongues. A night of emotional excitement and a slight adrenalin rush is guaranteed for all those who go to see these two thrilling performances.