Meet our Summer guest designer

Meet Tanya DeSilva-McKay our Summer guest designer. Being a professional designer she didn’t need any mentoring from me at all. In fact I think she could teach me a thing or too. Her work is so rich, I love how she totally reworked this issue and made it her own with a fresh new look. We’re so pleased to have her as part of the team.

Tell us a little bit about your creative journey?

My creative journey began when I was small where I loved books and illustrations and honestly – stationery! I played with whatever I could get my hands on. Fancy pencils, graphite, textas, fineliners, calligraphy pens, different papers and all the things I could draw a mark and communicate with – admittedly these things make me very happy now!
Design with my Bachelors degree further down the track enabled study in photography, graphics and illustration but I also got to create three-dimensional work where I made objects such as furniture and experimented with different materials. Now, I work as a freelance Art director and designer where I mostly design books, magazines, and other collateral such as logos and digital content.
I also started a digital film postgraduate course doing motion graphics and animation. Over the past several years I have also renovated homes with my husband – so I have drafted plans for kitchens, bathrooms and have staged homes for sale, working in a physical space in the capacity of an interior designer.
Otherwise… I miss using my hands and spend many late nights after my childrens’ bedtime doing more tangible work such as drawing and painting. My journey seems to be one that keeps unfolding which is exciting. I am still not sure where else it will lead but it is all fuelled by curiosity!

Why did you want to become an artist/designer?

I didn’t necessarily set out to become a designer – it was just a drive to pursue creativity and have an outlet which became a career. I just enjoyed seeing an idea come to life that was purposeful and beautiful. Creative communication in all the different mediums such as graphics, motion graphics, drawing and painting are fulfilling and energising.

Did you study art/design?

Yes, I initially studied film and television in a Contemporary Arts stream at University before shifting and graduating with a Bachelor’s Degree in Design at Monash University. I’ve circled back to further Postgraduate study and I am keen to see where it will lead.

How did you become involved with the hillscene?

I’ve always seen the magazine in my travels and saw the opportunity to be a guest designer and was excited by being involved in a publication that was local and community-driven.

In what ways, if any, do you engage with the hills community?

I engage in the community mainly through my activities with my family and just living here! There are so many things to do and we use as many local businesses and services as we can and spend most of our time on the mountain.

What do you wish you knew about being a designer/artist before you got started?

It is a hard task getting into the industry, you get paid very poorly (especially starting out) and it requires more grit and passion than you feel you can sometimes summon. This is mostly due to doubt you may feel with your abilities and the comparison you have with other very talented people. You need to move beyond it, acknowledge your capabilities, be open to feedback to improve, continue to learn and remain humble.
Being driven by pride is also a good thing in the sense that your name is attached to what you produce. Regardless of how small a job, it’s true value is your work and your attribution, not how much money it made or how much it is seemingly worth to others. It’s valuable and it represents your standard and you.
Also, whatever strikes you as interesting, pay attention to it, and record it as often as you can. I wish I kept a better visual and written record of all my ideas. More importantly, is to not be afraid to explore these ideas sooner rather than later.

Who are your creative heroes?

I have many heroes spanning many different disciplines so the list is extensive… I admire Saul Bass and his clever use of graphics and motion graphics, to current designers such as Chip Kidd and Aaron Draplin. The art of Roy Lichtenstein features on my walls at home and I also love the art and sentiments of Vincent Van Gogh. Elsewhere, I love Wes Anderson films and his distinct style, have a particular obsession with beautiful chairs (particularly those of Hans Wagner and Charles and Ray Eames) and I admit to collecting too many books (if there’s such a thing)… particularly those books with stunning illustrations usually reserved for children. I will eternally adore children’s books – they are so succinct and poetic.
In saying that, I do love whimsical work by Jane Newland, the vivid colours in Clair Bremner’s art and landscapes, to the distinct folk art by Dinara Mirtalipova.
I also admire many colleagues who I have been privileged to work with and learn alongside over the past several years.

What do you enjoy about living in the Dandenong Ranges?

There are so many things to enjoy living up in the Ranges. I love the quiet, community-oriented, open-minded, accepting and friendly community of the hills. 
I love the smell of the rain and the fireplaces in the winter, the vibrancy of all the green, the sounds of the kookaburras, the glimpse of the colourful birds in the trees and their little songs, and of Puffing Billy rolling past my house daily. Not to mention the general feeling of comfort and peace of my home and the view every day. Especially on those misty ones, they are truly the best.

Where can people find more information about you?

I have a website and am on the socials. I post where possible – specifically tdsmdesignmedia.com.au, www.linkedin.com/in/tanyadesilvamckay and @tanyadesilvamckay do stop by!

What are your plans for the future (immediate or long term)?

I intend to keep on making – learning, and learning some more. I’m looking forward to expanding my practise in all the different ways I am compelled to explore. I hope I get better with my craft in whatever direction it goes. I am open to the path unraveling, so for the moment, I will just continue to make.

Burrinja logo

Meet the Spring guest designer

Meet Tiffany Morris-North, local artist and foodie. She’s been our cafe tart for many years and was the first artist featured on our cover. I’ve known Tiffany for many years as our kids went to school together, I’m lucky enough to work with Tiffany and she’s always got great stories and fantastic recipes to try. She shares some of her stories here.

Tell us a little bit about your creative journey?

I don’t feel like I’ve been on a journey. Its just a part of me. I think my creativity is what keeps me grounded, it’s like a meditation and helps me to relax. I love learning new things, experimenting and attending workshops. 

Why did you want to become an artist/designer?

It hasn’t been a decision I’ve ever made. I’ve just always drawn pictures, painted, crocheted. Maybe I dandy have a choice.

Did you study art/design?

After Secondary School I studied an Art and Design Certificate at TAFE before working for a graphic designer, which I hated!!I then travelled overseas and studied prop-making and visual merchandising in London.

How did you become involved with the hillscene?

I have always had a small interest in the hillscene from the beginning. I’ve contributed photos, written cafe reviews and also had a painting featured on the cover of the premier issue. So I’ve been part of it right from the start.

In what ways, if any, do you engage with the hills community?

In the past I have been a part of Open Studios, helped start a local business (Leaf studios in Kallista), been part of local art exhibitions and initiatives and sold my wares at local markets. Because of this I’ve met many locals and artists and we continue to talk and share local interests and events.

What do you wish you knew about being an artist/designer before you got started?

I wish I knew more about the business side of things and marketing myself. Although these things really don’t interest me, I just wish I knew stuff.

Who are your creative heroes?

My heroes are the friends and artists I’ve met along the way who can fit their creativity into their work and family life as well as all the other surprises along the way.

What do you enjoy about living in the Dandenong Ranges?

I love the trees, the colours, the space and hearing the birds when I get home from work.

Where can people find more information about you?

I’m on facebook, instagram and have a website.
Facebook: Tiffany Morris-North Artist
Instagram: tiffanymorrisnorth_artist
www.tiffanymorrisnorth.com

What are your plans for the future (immediate or long term)?

Nothing definite. I’m always planning the next painting even if it never eventuates. I’m always on the lookout for a class or workshop to learn and have fun.

Burrinja logo

Meet our Autumn guest designer

Tell us a little bit about your creative journey? 

As a designer I began designing marketing materials for friends and family when I was in high school, the first being fo the Tai Chi Classes my mom was teaching. All done by hand.

Why did you want to become a designer/artist/creative person?

I guess I’ve always been a creative person but really owning it, and making it my career has been a process. What made me finally decide was both my parents passing away within 6 months of each other, and they both said, almost verbatim, “I thought I’d have more time.” This struck me so deeply, what was I leaving undone because I thought I would get to it eventually? Being creative in my work life.

Did you study art/design?

Yes, I am still finishing a my degree in Media and Communications, though with the design side of things I am essentially self taught.

How did you become involved with the hillscene?

Through my work as the Marketing Manager at Burrinja.

In what ways, if any, do you engage with the hills community?

I engage with the Hills community on lots of levels but mainly through my work at Burrinja and as a volunteer at 3MDR, which is amazing. To have the opportunity to support artists and performers is very rewarding.

What do you wish you knew about being a designer/artist before you got started?

How much I would love it, I would have done it sooner.

Who are your creative heroes?

My creative heroes are legion. Recent works that have really struck me and stuck with me are Jane Campion’s series Top of the Lake, the moodiness and use of colour as well as her composition. Neo Impressionist Paul Signac, particularly the work “Point of Difference”. I was entranced by Tracy Moffat’s work for the Venice Biennale.

What do you enjoy about living in the Dandenong Ranges?

The air, the people, the hush of the forest and the sense of community.

What are your plans for the future?

To keep creating, growing and engaging as a person and an artist, finish my degree, get my daughter through high school and dabble in some art.

Burrinja logo

calling all designers and editors!

Post by Adriana Alvarez.

council grant certificate

WE’RE SO EXCITED!

In 2019 thanks to a grant from Yarra Ranges council the hillscene is extending it’s guest editor and designer program. Providing an opportunity to designers and editors to be part of our team. Are you interested in editing, writing, or self-publication? Or are you a graphic designer keen to get creating? This is your chance to be a part of a cherished local magazine and gain some experience in publishing.

For each issue this year, there will be a different guest editor & designer. You will be provided with templates, mentoring and a team of volunteer writers & photographers. There will be a small fee paid for each of the roles. There are four issues each year, one for each season!

In 2018 we began this journey and produced three issues with guest editors and designers. Each editor and designer adding their own unique ideas to each issue giving the hillscene a fresh look and feel. Anna James, who had worked with us before on the hillscene, was the editor and designer of the Autumn issue. Cameron Semmens produced the Winter issue adding his poetic expertise and flavour to that issue. The Summer issue was a collaborative effort between Stephanie Lightfoot as the editor and Amelia Campbell as the designer, which proves that working on the hillscene is an opportunity to create great connections within the artistic community as well. Working with each editor and designer has been a real pleasure and a great learning experience for me and the editorial team. It’s good to see the new ideas and energy that each new collaboration brings, broadening our vision a little further each time.

Cameron said of the experience “It was a treat to work on hillscene. Curating the stories, collaborating with other creatives and simply making something beautiful and meaningful for this community that I love. It was a challenge, but a good challenge and a worthwhile challenge.”

editorsdesigner-collage

Clockwise from top left: Anna James, Cameron Semmens, Stephanie Lightfoot & Amelia Campbell.

If you are interested in either opportunity, please complete the expression of interest form by Feb 1, 2019. Editors and designers at all stages of their career are encouraged to apply. Apply here.

Important Information:
Each issue of the hillscene takes approximately 6 weeks to create, from the first editorial meeting to the distribution of the printed mag. You will need to be available for one of the following times:
Autumn issue: Feb – Mar
Winter issue: May – Jun
Spring issue: Aug – Sept
Summer issue: Oct – Nov

Burrinja logo

Yarra Ranges Council HOR RGB

Meet our Summer guest designer

Post by Adriana Alvarez.

Meet our Summer guest designer who has put her talented spin on the hillscene. Amelia Campbell is a freelance designer who has worked with us this season to add her flair not only to the design of the magazine but also to writing and using her photography skills to help add the finishing touches to our new issue.

On her website is a quote by Margaret Mead. “A small group of thoughtful people could change the world. Indeed, it’s the only thing that ever has,” which coincidentally I have on my fridge. Perhaps it sums up the spirit of the hillscene perfectly. Here she tells us about her love for design and the beauty of the hills.

Tell us a little bit about your creative journey?

Growing up with creative parents I was exposed to beautiful art & design throughout my whole childhood. When I got to high school studying studio arts and vis comm was a productive outlet for my angsty teenage self. I never thought about a career in design until I got accepted into the BA of Communication Design at RMIT. It opened up my little world to the big, big world of art & design. It was at RMIT where I really felt like I’d found my groove. Learning about human-centred design was when my focus shifted from graphic design to wanting to help change people’s lives. Working for the past two years as a freelance graphic designer has taught me a lot about my own creative processes, what I love about design & what I don’t. It’s a crazy journey that’s for sure! 

Why did you want to become a designer?

It just kind of happened! I’m one of the lucky ones that has managed to turn my passion into a job. I knew I wanted to be a designer when I realised the impact it can have, it really can inspire, captivate and motivate audiences to think about themes in a way they never have before.

Amelia Campbell

Did you study art/design?

I completed my BA of Communication Design at RMIT in 2016. 

How did you become involved with the hillscene?

I was on the look out for projects that would give me some more industry experience. My freelance work had been really lacking in collaborative work which I love doing, so when the design role for hillscene came up it really was the perfect marriage… gaining experience whilst also interacting and collaborating with a great team of people. 

In what ways, if any, do you engage with the hills community?

My relationship with the Dandenong ranges is a special one. I grew up in Sassafras, attended school in Belgrave & now work in part-time in Olinda! The hills are where my roots are.
Some would say supporting local businesses is what I do best….Christmas shopping done in half the time?… Without the crowds? Amazing! 

What do you wish you knew about being a designer/artist before you got started?

Breaking into a creative industry is always hard, design is extra competitive. I wish someone had prepared me for the grind. Also you’re going to need a life time supply of post-it notes!

Who are your creative heroes?

John Bielenberg – designer, entrepreneur and imaginative advocate for a better world.
Rachel Burke (aka mum) – lighting designer, the most intelligent & creative mind I know.
Frida Kahlo – Painter, feminist, a fabulous, fierce woman who just embraced weirdness. 

What do you enjoy about living in the Dandenong Ranges?

Since working in the CBD I appreciate the peacefulness that the Dandenong Ranges has. Whilst writing the 4 gardens article for this issue I really got to appreciate and absorb how beautiful the environment we live in truly is. The air so fresh, the people so lovely and creative juices flowing almost everywhere you turn, whats not to enjoy? 

Where can people find more information about you?

I have a website, it’s a work in progress but feel free to visit, www.ameliarosedesign.net

What are your plans for the future?

To be a working for a creative studio that appreciates and encourages their team. I’m currently completing a 12 week internship as an Experience Designer so will just have to wait & see where that wave takes me…stay tuned.  

Something else you want us to know? Here is your chance!

A lot of time and hard work went into creating this publication, I really do hope you all enjoying reading it.

Burrinja logo

Visions of Green (man)

Greenman tags

Post by Gareth Hart.

Terrariums and miniature gardens are wonderful creations for Winter – the perfect way to satisfy your green thumb, whilst rugged up in your pyjamas and never taking off those moccasins!

I met with Carol Tregonning, who creates stunning terrariums and miniature gardens from her delightful studio in Sassafras.

Carol is a very giving soul, I left her beautifully peaceful studio with many gifts from the kindness of her heart and the lushness of her garden, which is ironic, because her sellable creations would be a beautiful gift for anyone.

“It’s like a meditation for me. Being here, making them up, and caring for them and watching them grow. It’s really peaceful.”

Carol Tregonning is an art therapist, who works with dreams and art therapy and considers making miniature gardens as a little like the art therapy she does with herself. Her passion oozes through her designs, and whilst not a designer per se, or having studied design, Carol does enjoy the design aspect of her work. This design element is very strong in her creations.

“I just love nature, and I love design. I would have loved to have done design.”

Carol Tregonning terrariums Carol Tregonning terrarium

Her gardens are created with delicacy and intricacy, using a range of unique plants, and often accompanied by the rich green textures of moss, baby tears or duck weed.

They are never the same. I don’t make them up all the same. I just make them as I go and see what comes through, instead of having an idea about them. And then people have their own individual bowl/terrarium. I like people to be able to come in and say ‘I love that, so I’ll have that one’. And then they have their own garden to take home.”

The name Green Man alludes to a mythical nature spirit that is found across all ages and cultures of the world, representing a symbol of rebirth, which is associated with nature, wild life and plant growth. Carol was inspired to call her business Greenman after she herself saw a green man in a vision. Carols own Green Man, her trade mark business name, allows others to see into the microcosm of her world. And as many of her terrariums are predominantly housed in glass, you can see right into them, right into the miniature worlds that Carol creates. Through these creations, I have a sense that Carol allows her clients to see a tiny part of her original vision.

CarolTregonning2

You can find Carol’s creations at a range of stores locally including The Courtyard (Sassafras), Quirky Werx (Mt Dandenong), and the Mt Dandenong Organic Shop.

Greenman terrarium

So how do they work? dailymail.co.uk gives us the insight we need:

Bottle gardens [terrariums] work because their sealed space creates an entirely self-sufficient ecosystem in which plants can survive by using photosynthesis to recycle nutrients.

Light is absorbed by proteins containing chlorophylls (a green pigment). Some of that light energy is stored in the form of adenosine triphosphate (ATP), a molecule that stores energy. The rest is used to remove electrons from the water being absorbed from the soil through the plant’s roots. These electrons then become ‘free’ – and are used in chemical reactions that convert carbon dioxide into carbohydrates, releasing oxygen.

This photosynthesis process is the opposite of the cellular respiration that occurs in other organisms, including humans, where carbohydrates containing energy react with oxygen to produce carbon dioxide, water, and release chemical energy.

But the eco-system also uses cellular respiration to break down decaying material shed by the plant. In this part of the process, bacteria inside the soil of the bottle garden absorbs the plant’s waste oxygen and releasing carbon dioxide which the growing plant can reuse.

And, of course, at night, when there is no sunlight to drive photosynthesis, the plant will also use cellular respiration to keep itself alive by breaking down the stored nutrients.

Because the bottle garden is a closed environment, that means its water cycle is also a self-contained process. The water in the bottle gets taken up by plants’ roots, is released into the air during transpiration, and condenses down into the potting mixture, where the cycle begins again.

 

 

 

Hills in colour

hills in colour

Post by Shelley Krycer.

I had the idea for this curated colouring-in set for all ages featuring artists’ work about six or seven years ago. For me this is a nice reminder to feel ok about not realising all the ideas I have just as I dream them up. The good ideas will still be exciting to work on later down the track. It can take time for all the right elements to come together and to find the right people to work with! Creating this set with visual artist Emma Johnson allowed us to transform this concept into reality. Our different strengths complement each other and it’s been great working with a like-minded creative.

Hills In Colour (Just Add Colour) is about rethinking how we engage with artworks. It brings together ten black and white artworks by ten artists from the hills printed on beautiful loose-leaf fine art paper. Rarely, if ever, do we have the opportunity to take an original work of art on lovely paper and make it our own. It gets us really looking at it and noticing what it is the artist has done to make it just so unique and beautiful in a way that isn’t really possible without pencil in hand! And since they’re at a standard A4 size, these artistic collaborations could find happy homes in frames as well as on fridges.

Emma and I had a really fun time selecting works that relate to each other yet feature a range of different styles that reflect what is happening in the Dandenongs artistically. We imagine groups of people of all ages sitting around together colouring in different artworks. The back page gives you bios and the website details for all the artists included in the set, so if you like their work, you can see what else they’ve been doing.

EJ and SK-1

As an artist myself, I often have people tell me that the art activity they miss the most is colouring in…. and that they secretly pick up kids colouring-in books to get their fix. With the elegant, playful, beautiful works in this set, I think this might help secret colouring-in-ers colour loudly and proudly. The secret is out!

Hills In Colour (Just Add Colour) is available for sale for $10.

Stockists so far include:
London Art Company, 1660 Burwood Highway, Belgrave,
Limerence, 2/1642 Burwood Higway, Belgrave
Burrinja, Crn Glenfern Road and Matson Drive, Upwey
Mountain Ash, 1536 Mt Dandenong Tourist Road, Olinda
Ripe, 376 Mt Dandenong Tourist Rd, Sassafras
Lululoft, Shop 4, 47 -53 Olinda  Monbulk Rd, Olinda
Kallista Tea Rooms, 103 Monbulk Rd, Kallista

They’ll also be available at the Forest Picnic market stall at End Of The Line festival Nov 30th in Belgrave
Online shop will soon be available at the (not quite fully set up yet facebook page) www.facebook.com/justaddcolouraustralia
We’d love you to colour and share at our facebook page too!

Emerge Where You Are: the creative process

Post by Sue Guzick.

When considering a response to the ‘End of the Line’ Burrinja stage concept and site, I felt a truer gesture would come from within the experience. What does it feel like, and what emerges through the movement to the end of the line? What are ways to mark and describe the discoveries?

For those of us who have spent time traveling by train we recall the ebb, stream, repetition, anticipation, and out-flow into the destination. The Belgrave line has its own characteristics, feelings, and lush explosion of nature and community at the end. Initial studies were created to sense, mark, and reflect.

Guided imaging is one of the methods I used to capture the experience of the Belgrave Line. It gave me a starting point for the creative process.

The Burrnja Stage will be located in Belgrave at Earthly Pleasures Café. Earthly Pleasures Café has a distinct aspect of place, another out-flow: food, warm people, and a nurtured historic building and garden. Stage placement responds to the site with glimpses from the street, views from the café, and a relationship to a great old tree. The installation further emerges from ideas of line, culmination, heightened awareness, colour contrast, and the form of gum tree barks. Community making, and their personal experience will broaden it.

The empowering thing about arts, place, and being human is that we all have access to the experience. We each have different discoveries and ways of marking them. Significant and unexpected things emerge when we uninhibitedly look at any environment we are in.